Get Ready to Shoot Yourself, moving "through" the
The complex structure consists of a network of paintings, mirrored surfaces, video, and empty frames that make direct architectural reference to a traditional mirror maze and pulls the viewer into a dislocating, perceptive experience. Unlike in the cinema house, where the images move and the viewer remains still, here the viewer moves through a post-production space, and enters an illusory representation of cinematic space and time.
The complex structure consists of a network of paintings, mirrored surfaces, video, and empty frames that make direct architectural reference to a traditional mirror maze and pulls the viewer into a dislocating, perceptive experience. Unlike in the cinema house, where the images move and the viewer remains still, here the viewer moves through a post-production space, and enters an illusory representation of cinematic space and time.
   
 
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