The Recurring Dream: end of pan with the Hypnotist
As Laura Mulvey has written in Death at 24 Frames a Second, there is a growing fetishizing of the cinematic fragment as worthy artifacts that have forever changed the way film will be experienced. Everyone with a remote control is a film editor.
As Laura Mulvey has written in Death at 24 Frames a Second, there is a growing fetishizing of the cinematic fragment as worthy artifacts that have forever changed the way film will be experienced. Everyone with a remote control is a film editor.
   
 
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