This installation references the ambiguity of space and time as it is depicted in the final dramatic shootout in a hall of mirrors in Orson Welles’s 1947 film, The Lady From Shanghai.
Painting, Sculpture, Film, Video, Performance
This installation references the ambiguity of space and time as it is depicted in the final dramatic shootout in a hall of mirrors in Orson Welles’s 1947 film, The Lady From Shanghai.