CV

Marcelino Stuhmer

BOK Building, 1901 S. 9th Street, Studio#221
Philadelphia, PA, 19148

mstuhmer@hotmail.com
marcelinostuhmer.com
instagram.com/marcelinostuhmer

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EDUCATION

2001-2
  • Rijksakademie van beeldende kunsten, Amsterdam, NL, 2-year Research Fellowship, Dutch Ministry of Culture
2000
  • M.F.A. School of the Art Institute of Chicago, Chicago, Illinois
1997
  • B.F.A. Painting and Drawing, College of Fine Art, University of Utah, Salt Lake City, Utah
  • B.A. English Literature, University of Utah, Salt Lake City, Utah

SOLO EXHIBITIONS

2023
  • Projections, Facture, Mount Airy, Philadelphia, PA
2021
  • Camera Obscura Machina, with collaborator Dave Meekins, Cherry Street Pier, Terrace Gallery, Philadelphia, PA
2017
  • A Life to Those Shadows, SUNY – Binghamton, Elsie B Rosefsky Memorial Art Gallery, Binghamton, New York
  • Marcelino Stuhmer: Selected Work from Little Triggers: 2003-2017, University of the Arts, President’s Gallery, Philadelphia
2016
  • Life to those Shadows, Painting Gallery, University of the Arts, Philadelphia, PA
2009
  • Get Ready to Shoot Yourself, Jade Art Gallery, Bergamo, IT, Curator Sara Mazzocchi, Film Curator, Galeria d’Arte Moderne e Contemporanea, Bergamo, IT
2008
  • The Recurring Dream, Chicago Cultural Center, Michigan Street Galleries, Chicago, IL
2007
  • I’ll Be Your Mirror, Harold Washington College, President’s Gallery, Chicago, Illinois
2003
  • The Transmission of Conflict, Galerie Kusseneers, Antwerp, Belgium
  • Little Triggers Galerie Fons Welters: in the Playstation, Amsterdam, The Netherlands curated by Xander Karskens, curator of Playstation, Galerie Fons Welters
  • The Last Bus to Rijkerswoord, Hooghuis Contemporary Art Center, Arnhem, NL, 2-person exhibition with Lisa Hecht
  • The Last Seduction: Constant Dullard, Gabriel Lester, Marcelino Stuhmer, Artis Center for Contemporary Art, Paviljoen 2, Den Bosch, NL curated by Xander Karskens
2002
  • I’ll be seeing you, Emerging Artist Exhibition, Essl Museum of Contemporary Art, Curated by Christine Humpl, Curator of Exhibitions, Vienna, Austria
  • Peripheral Narratives, Optica: Center for Contemporary Art, Montreal, Canada
2000
  • MFA Graduate Thesis Exhibition, School of the Art Institute of Chicago, Chicago, IL

SELECTED GROUP EXHIBITIONS

2022
  • The News Room, Hotham Press Gallery, Vancouver, BC, Canada
  • 215/610 Contemporary, Delaware County Community College, Media, PA, Juried by Alex Klein, Dorothy and Stephen R. Weber Senior Curator at the ICA, Philadelphia, Nov 14 – Dec 16
  • Now one with Everyone, June ‘22, Icebox Project Space, Philadelphia
  • Art Unleashed, Philadelphia Art Alliance, Philadelphia
  • Drawn Together, School of Art Faculty Exhibition, SOA Galleries, University of the Arts, Philadelphia
2021
  • Bok Open Studios, Philadelphia
  • Maison Contemporain, Online Exhibition of Gallery Artists, Paris, France
2019
  • You Gorgeous Thing, Painting Faculty Exhibition, The Painting Gallery, University of the Arts, Philadelphia, PA
  • “Take it like a…”, Contemporary Trends in the Aesthetics of Violence, curated by Atif Sheikh, Twelve Gates Arts, Philadelphia, PA
  • CFEVA Member’s Exhibition, Juried by Mary Salvante, Center For Emerging Visual Artists, Philadelphia, PA
  • Woodmere Annual, Juried by Eileen Neff, Woodmere Museum of Art, Philadelphia, PA
2018
  • Life, Death, Rebirth, Philadelphia Arts Alliance, University of the Arts Faculty Exhibition, Philadelphia, PA
  • Asian Pacific American Heritage Month Exhibition 2018, Philadelphia City Hall, Philadelphia, PA
2017
  • Philadelphia Asian American Film Festival Art Exhibition, Asian Arts Initiative, Philadelphia, PA
  • Art Unleashed, University of the Arts, Philadelphia, PA
2016
  • A Life to Those Shadows, The Painting Gallery, University of the Arts, Philadelphia, PA
  • University of the Arts Faculty Exhibition, Kimmel Center, Philadelphia, PA
  • Escort, Gallery One, University of the Arts, Philadelphia, PA
2014
  • Suspended, Faculty Exhibition, The Painting Gallery, University of the Arts, Philadelphia, PA
  • A Strange Holiday, BAYarts, Bay Village/Cleveland, OH
2013
  • Visual AIDS Postcards from the Edge, Sikkema Jenkins & Co, New York City, NY
  • Painting Faculty Show, Small Works, The Painting Gallery, University of the Arts, Philadelphia, PA
  • Cinema 4, curated by Ross Lesko, Kenneth Paul Lesko Gallery, Cleveland, Ohio
  • Art Unleashed, University of the Arts, Philadelphia, PA
  • 20/92 Video Screening, Paul Avery’s 8mm Found Film, Icebox Project Space, Crane Arts, Curated by Tim Belknap & Ryan McCartney, Philadelphia, PA
  • Memory: International Mail Art, Richmond Art Gallery, Richmond, British Columbia, Canada
2012
  • Es Lebe Die Malerei, Junge Kunst aus der Summlaung Essl, Painting Lives, Young Art from the Essl Collection. Curated by Prof. Agnes Essl, Gunther Oberhollnzer, Essl Museum of Contemporary Art, Vienna, Austria, Artists include: Daniel Richter, Nortbert Schwontkowski, Clemens Wolf, Christian Brandl, Aloi Mosbacher, Anna Meyer
  • VOX VIII, Juror, Ruba Katrib, Sculture Center, NY, Vox Populi, Philadelphia, PA
  • Cinema 3, curated by Ross Lesko, Kenneth Paul Lesko Gallery, Cleveland, Ohio
2011
  • Art Miami, Zolla Lieberman Gallery, Miami, Florida
  • Cinematic Bodies, Zolla Lieberman Gallery, Chicago, Illinois, curated by Jamie Adams, List of artists: Roland Becerra, Melanie Bonajo, Christopher Brown, Michael Byron, Peter Drake,Teodor Dumitrescu, Vernon Fisher, Cameron Gray, Jane Hammond, David Humphrey, Katharine Kuharic, Kris Lewis, Heather Marshall, Elizabeth Peyton, Jennifer Present, Carly Silverman, Al Souza, Marcelino Stuhmer, Rosemary Warner, Robin Williams, Su-en Wong, Jamie Adams
2010
  • Arte Laguna International Art Prize 2010, Venice Arsenalle, Italy (Award:Best International Artist)
  • Wisconsin Triennial 2010,curated by Jane Simon, Museum of Contemporary Art, Madison, Wisconsin, USA
2009
  • Jeune Creation International 2009, Le 104: A Center of Contemporary Art, Paris France
  • Sum Total 2009, Inova Art Center, UW-Milwaukee, Wisconsin, USA
  • Out of the Suitcase, Milwaukee Institute of Art and Design, Milwaukee, Wisconsin, USA
2008
  • Event Horizon, Curator Jennifer Schmidt, School of the Museum of Fine Arts, Project Space Gallery, Boston
  • Event Horizon, Curator Jennifer Schmidt, Public Project: Davis & Union Squares, Sommerville, MA
2007
  • Bilingual: Art at the Intersection of Painting and Video, curated by Tracy M. Taylor, Columbia College, Glass Curtain Gallery, Chicago, USA. Work by 22 artists including: William Kentridge, Joshua Mosley, David Reed, Peter Rostovsky, Jeremy Blake, Jay Heikes, Wafaa Bilal, Jo Jackson, Sabina Ott, Alison Ruttan, Terence Hannum
  • SumTotal, Inova Center for Contemporary Art, UW-Milwaukee, Milwaukee, School of Art Faculty Exhibition,
2006
  • Inside/Out, Atlantic Center for the Arts, New Smyrna Beach, USA,
    coordinated with: Guillermo Kuitca, resident artist
  • Stiff, Gallery 40,000, Chicago, Illinois, USA,
    curated by Ann Toebbe, Work by: Burt Barr, Holly Coulis, Ridley Howard, Kurt Kauper, Marcelino Stuhmer
  • Spectacles of the Real, Opensource Art, Champaign, Illinois, USA
2005
  • Ghent Art Fair, Belgium, Galerie Kusseneers (from Antwerp, Belgium
2004
  • Art Cologne, Germany, Galerie Kusseneers (Antwerp), Brussels, Belgium
  • Re-Source, Art in General, New York City, NY
  • Art Brussels, Galerie Kusseneers (Antwerp), Brussels, Belgium
2002
  • Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, NL: Artists include: Yael Bartana, Jill Magid, Ryan Gander, Martha Colburn, James Beckett, Ivan Grubanov, Paulina Olowska
  • The Royal Prize for Painting, Gemeentemuseum, The Hague, NL. Juror: Luc Tuymans, Rob Birza, Suzan Drummen, Anke van der Laan, Hermann Pitz, Berend Strik, Pietje Tegenbosch (chair).
2001
  • Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, NL, work by: Sebastian Dias Morales, Gabriel Lester, Yael Bartana, Ryan Gander, Jill Magid, Martha Colburn, James Beckett, Paulina Olowska
  • The Royal Prize for Contemporary Painting, Gemeentemuseum, The Hague, NL. Jury: Marja Bloem (chair), Anke van der Laan, Charlotte Schleiffert, Berend Strik, Pietje Tegenbosch and Luc Tuymans.

SELECTED PERFORMANCES and STORYTELLING

2017
  • Life to Those Shadows – Storytelling, SUNY – Binghamton, Elsie B Rosefsky Memorial Art Gallery
2016
  • A Life to Those Shadows- Storytelling, University of the Arts, Painting Gallery, Philadelphia, PA
2013
  • The Choreographed Accident, University of the Arts, Philadelphia, Graduate Seminar visiting artist lecture
2011
  • The Choreographed Accident, Mash-Up, The Sonnenschein Gallery, Lake Forest College, Lake Forest, Illinois
2009
  • Bergamo Film Meeting 2009, Bergamo, Italy, Two-Part Performance:
    “I never fall apart, because I never fall together (Andy Warhol, 1975)”, 2009, performance lecture with projected images
    “In the end it’s all about time”, 2009, Collaboration with Italian drummer, Tiziano Riva, he composed a solo to my already fragmented original.
  • Jeune Creation International 2009, Le 104 Center for Contemporary Art, Paris, France, The Choreographed Accident: A Temporary Memorial for Paul Avery, narrative storytelling.

ARTIST RESIDENCIES

2006
  • Atlantic Center for the Arts, 3-week residency, Visiting Artist/Juror: Guillermo Kuitca
2002
  • Cittadellarte – Michelangelo Pistoletto Foundation, Biella, Italy. 1-week guest artist
2001-2
  • Rijksakademie van beeldende Kunsten, Amsterdam, 2-Year Research Fellowship
2000
  • Skowhegan School of Painting and Sculpture, Skowhegan, Maine

VISITING ARTIST/LECTURES

2017
  • Exhibiting Artist Talk, Binghamton University, State University of New York
2011
  • Visiting Artist and Critic for MFA Program (Invited by Dona Nelson), Tyler School of Art, Temple University, Philadelphia
  • Visiting Artist Lecture and Juror of Student Exhibition, DePaul University, Chicago
  • Finalist Candidate Lecture, University of the Arts, Philadelphia
2010
  • Visiting Artist Lecture, “How Painting Survived the Accident” Upgrade Joburg: Digital Arts Remote, University of the Witwatersrand, South Africa
2009
  • Bergamo Film Meeting: Performance/Lecture: “I never fall apart, because I never fall together”, Bergamo, Italy
  • Visiting Critic, University of Illinois at Chicago (UIC), Chicago, Illinois
  • Chicago Cultural Center, Exhibiting Artist Lecture
  • School of the Art Institute of Chicago, Painting Seminar Visiting Artist
2007
  • Faculty Lecture, “I’ll be your mirror” Harold Washington College, Chicago, IL
  • Visiting Artist Lecture, UW-Milwaukee, Course: Visual Art Survey, Instructor: William Anderson
  • Finalist Candidate Lecture, UW-Milwaukee, Milwaukee, Wisconsin
2006
  • Finalist Candidate Lecture, Virginia Commonwealth University, Richmond, Virginia
2004
  • Visiting Artist Lecture, University of Chicago, Department of Visual Art
2003
  • Exhibiting Artist Lecture, Artis Center for Contermporary Art, Den Bosch, NL
2002
  • Visiting Artist Lecture, Pistoletto Foundation, Unidee, Biella, Italy
2000
  • Curatorial Lecture, Exhibition Study Space, Chicago, Art of Displacement, Entrance & Becoming

SELECTED AWARDS AND ACCOMPLISHMENTS

2022
  • One Semester Sabbatical – Creative Leave, University of the Arts, Philadelphia, Fall 2022
  • UArts Faculty and Academic Development Fund Grant: University of the Arts
2016
  • Traveled to Romania to do extensive research on the Romanian Painter Corneliu Baba (1906-1992). I was commissioned to write the first English language catalogue essay on the important Romanian painter in 16 years. The catalogue will accompany the permanent installation of Baba’s large triptych painting, Peasant Revolt, at the National Museum of Bulgaria, in Sofia, in 2018. The essay, “Entering the Mad Worlds of the Late Works”, looks closely at Baba’s work in a contemporary context, where globalization has led to the discovery of formerly unknown art histories.
2015
  • Research Trip to Sprengel Museum, Hannover, Germany, to visit the Kurt Schwitters’ Archive, his reconstructed Hannover Merzbau, and the reconstructed Abstract Cabinet, by El Lissitzky.
  • Faculty Development Fund: $5000, University of the Arts, Philadelphia
  • One Semester Sabbatical – Creative Leave, Fall 2015, University of The Arts, Philadelphia
2010
  • Research Committee Fellowship, Graduate School, UW-Milwaukee, “Dissecting Identity: Recreating a 17th Century Anatomy Theater to Function as an Alternative Performance and Exhibition Space,” University of Wisconsin – Milwaukee
  • Finalist: Arte Laguna International Art Prize 2010, Venice Arsenalle, Venice, Italy
  • Best International Artist Award, Arte Laguna International Art Prize 2010: Sculpture/Installation Category: The Future of Contemporary Art, Venice Arsenalle, Venice, Italy
2009
  • Shortlisted-Installation & Honorable Mention-Sculpture, London International Creative Competition
  • Shortlisted for Award, International Celeste Prize for Contemporary Art, Siena, Italy
  • Center for International Education Travel Grant, UW-Milwaukee
  • Faculty Development Award, UW-Milwaukee, WI
  • Arts and Humanities Travel Award, UW-Milwaukee
  • Mary L. Nohl Suitcase Fund Award for International Exhibitions, Milwaukee
2008
  • Faculty Development Award, Peck School of the Arts, UW-Milwaukee
  • Dean’s Faculty Award for Research, UW-Milwaukee
  • Faculty Arts and Humanities Travel Award, Graduate School, UW-Milwaukee
2007
  • Faculty Development Award, Peck School of the Arts, UW-Milwaukee
  • CAAP Project Grant, Community Arts Assistance Program, Chicago, IL
2006
  • Joan Mitchell Foundation Grant: Tuitions and Expenses for Atlantic Center Residency, NY
2003
  • One-Year Artists Grant, (Start Stipendium), Fonds Voor Beeldende Kunsten, Amsterdam, NL
2002
  • Publication and Exhibition Grant, Mondriaan Foundation, Amsterdam, NL
  • Publication Grant, Rijksakademie van beeldende kunsten, Amsterdam, NL
  • Two-Year Research Fellowship, Rijksakademie, Ministry of Culture and Science, NL
2001
  • First Prize, The Royal Prize for Painting, Gemeentemuseum, The Hague, NL
  • Two-Year Research Fellowship, Rijksakademie, Ministry of Culture and Science, NL
2000
  • Skowhegan Fellowship/Full Tuition Scholarship
  • Matching Skowhegan Fellowship, School of the Art Institute of Chicago

CATALOGUES/PUBLICATIONS

2022
  • Drawn Together catalogue, includes personal statement about my included drawings, University of the Arts, Philadelphia
  • Icebox Project Space, And Now One with Everyone, Diagram Brochure of exhibited work
2017
  • Marcelino Stuhmer, A Life to those Shadows, March 30 – April 27, 2017, SUNY-Binghamton, Elsie B. Rosefsky Memorial Art Gallery, Curated by Hans Gindlesberger
2016
  • Essl Museum publication, Christine Humpl, “History of the Emerging Artists Series”, published by Essl Museum
2011-12
  • Essl Museum Catalogue, Es Lebe Die Malerei, Junge Kunst aus der Summlaung Essl, (The Love of Painting, Young Art from the Essl Collection), Curated by Prof. Agnes Essl, Gunther Oberhollnzer, Essl Museum of Contemporary Art, Vienna, Austria
2010
  • New American Paintings, Volume 89. Juror, Lisa Dorin, Assistant Curator of Contemporary Art, The Art Institute of Chicago, my installation Get Ready to Shoot Yourself was the first painting installation published in NAP (this is mentioned by Lisa Dorin in Curatorial statement)
  • Arte Laguna International Art Prize 2009, Catalogue of Finalists, Venice, Italy
  • SumTotal (online catalogue), INOVA ART CENTER, UW-Milwaukee
2009
  • Jeune Creation 2009
  • Marcelino Stuhmer: Get Ready to Shoot Yourself, Solo Exhibition Catalogue, Jade Art Gallery, Bergamo, Italy, Libri Aparte Press (Bergamo)
  • Bergamo Film Meeting 2009 Catalogue
  • London International Creative Competition Catalogue
  • Celeste International Art Prize Catalogue
2007
  • Bilingual/Bilingual: Art at the Intersection of Painting and Video, Catalogue
  • SumTotal, INOVA ART CENTER, UW-Milwaukee, Catalogue
2006
  • Spectacles of the Real (Online Catalogue), Open Source Art, Champagne, Illinois
2004
  • Art Cologne, art fair catalogue, Cologne, Germany
  • Re-Source, online catalogue and exhibition brochure, Art in General, NYC
2002
  • Marcelino Stuhmer – Recent Works, Solo Exhibition Catalogue, Essl Museum of Contemporary Art, Vienna, Austria

SELECTED CRITICAL WRITING: CATALOUGE ESSAYS, REVIEWS

2021
  • Borderline Conversations, Exhibition Essay for Reimagining the Global Village, Curated by Nirmal Raja, Galleries at the Milwaukee Institute of Art and Design, Milwaukee, Wisconsin
2018
  • “Corneliu Baba, Late Works”, Keynote Speaker: commissioned lecture, Corneliu Baba exhibition, New York Cultural Center of Romania, Scheduled for November 2019
2017
  • “Corneliu Baba: Entering the Mad World of the Late Works”, Catalogue Essay, Paintings by Corneliu Baba in The Michael Unterguttenberger Collection, Bucharest, Romania
2016
  • “Above Us only Sky” Essay on Dutch Video Artist: Arthur Kleinjan
    Published Statement about my experience with an Emerging Artist Exhibition at Essl Museum of Contemporary Art, Vienna
2013
  • “50cc of Paris Air”, Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp, Philadelphia Museum of Art, Title-Magazine.com
  • “Distant Landscapes,” Claire Ashley, Icebox Project Space, Title-Magazine.com
2012
  • “One Big Love by Leslie Wayne”, Bridgette Mayer Gallery, Title Magazine.com
2011
  • “John Stezaker: The Nude and Landscape”, Rosenwald-Wolf Gallery, University of the Arts, exhibition review, Title-Magazine.com
2003
  • Arthur Kleinjan, Recent Work,” catalog essay, Essl Museum, Vienna, Austria.
2002
  • Communicating Spaces,” essay on Lisa Hecht, Le Cahier de Galerie B-312, coffret no. 7 Montreal, CA
2001
  • Make art, be merry: Skowhegan Residency”, New Art Examiner, Chicago, IL, May.
2000
  • Post Hypnotic” exhibition review, New Art Examiner, Chicago, IL, July.
  • Guillermo Kuitca at Art Club of Chicago,” exhibition review, New Art Examiner, Chicago, IL, February.
  • Locating Codes of Displacement,” curatorial essay, Art of Displacement catalog, Chicago

SELECTED BIBLIOGRAPHY (Published Writing about my work)

2022
  • Alex Klein, Curator ICA Philadelphia, Juror’s Statement, 215/610 CONTEMPORARY, Delaware County Community College
2013
  • Barbara Quaia, Interview with Director of Arte Laguna Prize, Venice, Italy, published in major Italian newspapers
2012
  • Roberto Savino, Interview with Italian Curator for Arte da Ardere Blog, www.artdaardere.blogspot.co
  • Katherine Rochester, Philadelphia Weekly: “VOX VIII at Vox Populi”, July 17, 2012
  • Libby Rosof & Roberta Fallon, The Art Blog: www.theartblog.org, “VOX VIII at Vox Populi, The Material Unreal”,7/22/12
2011
  • Paul Klein, “What If a Curator’s Agenda Doesn’t Match the Artist’s? Cinematic Bodies,” The Huffington Post
  • Time Out Chicago, “Wednesday’s Best Bets: Cinematic Bodies, Zolla Leiberman Gallery”
2010
  • Lisa Dorin, Juror’s Comments, New American Painting, Volume 89.
  • Mary Louise Schumaker, Wisconsin Triennial at MMoCA, Milwuakee Journal Sentinal
  • Peggy Sue Dunnigan, “State Artists on Display in ‘Wisconsin Triennial”, ShepardExpressMilwaukee.com
  • Katie Vaughn “Stating the Obvious” Madison Magazine
2009
  • Sara Mazzocci, “You need more than luck in Shanghai”, Catalog Essay, Jade Art Gallery, Bergamo, Italy
  • Emilie Bouvard, “Marcelino Stuhmer: The Choreographed Accident” at Jeune Creation, chief editor of http://www.portraits-lagalerie.fr/
  • Mary Lou Schumacher, Milwaukee Journal Sentinal, “Well-Traveled Exhibit”, 8/23 (Exhibition review)
  • Andrea Frambozzi, L’eco Di Bergamo, “L’arte Contemporanea sbarca al Film Meeting- Stasera conferenza-performance dell’americano Stuhmer ispirata dal film de Orson Welles “La Signora di Shanghai” Lui sara nei panni del personnaggio interpretato dal regista un’attrice in quelli de Elsa Bannister-Rita Hayworth”, (Italian Newspaper, Bergamo, Italy: Solo Exhibition Review, images reproduced)
  • Ilaria Sodini, La Voce, “La prima personale in Italia di Marcelino Stuhmer”
  • Claudio Musso, Exibart.com,“Ecco La Formula: Nuovo Spazio, “Vecchi” Artisti”
2008
  • James Yood, “Marcelino Stuhmer: The Recurring Dream, Chicago Cultural Center”, ART FORUM, May
  • Dan Gunn, Review, “Marcelino Stuhmer: Tip of the Week”, New City Chicago, 2/21/08
  • Tracy Taylor, The Painter’s Anxiety in the Age of New Media, My work The Recurring Dream was cited in her lecture at the Conference “21st Century and Anxiety in Art”, University of Nottingham, England
  • Josh Elmets, “Event Horizon”, Weekly Dig: Arts and Entertainment Section, April 9-16, 2008, vol. 10, published in Boston, MA,
  • Ashley Morgan, “Kenilworth Open House”, “www.ArtSite.com Milwaukee, December 8
2007
  • Michelle Grabner, “Bilingual/Bilingual: Painting and Video, Empathy and Criticality
  • Tracy Taylor, Curatorial Statement, Bilingual/Bilingual: Art at the Intersection of Painting and Video
  • Alan Artner, ” ‘Bilingual’ eclectic, collective language of film in contemporary art” Chicago Tribune, Dec. 7
2006
  • Laura Weinberg, Time Out Chicago, “Stiff” at Gallery 40,000, Chicago
2003
  • Anne-Marie Poels, “Verbeelding in Film en in Realiteit: The Transmission of Conflict: Marcelino Stuhmer,” Review, Zone 03,
  • Antwerp, Belgium, page 64.
  • Stef van Bellingen, “About Fiction, Fact and History Painting” Galerie Kusseneers, Antwerp, Belgium.
  • Xander Karskens, press release: “Marcelino Stuhmer: Little Triggers” Galerie Fons Welters, A’dam
2002
  • Charles Esche, “Intimate Distance,” essay for Essl Museum, Vienna.

TEACHING EXPERIENCE

2015 –
  • Associate Professor of Painting, University of the Arts, Philadelphia, PA
  • Co-Coordinator of Interdisciplinary Art BFA Program, University of the Arts, Philadelphia, PA
2011-15
  • Assistant Professor of Fine Arts, University of the Arts, Philadelphia, PA
2007-11
  • Assistant Professor of Fine Arts, University of Wisconsin-Milwaukee, Milwaukee, Wisconsin
2006-7
  • Assistant Professor of Art, Harold Washington College, Chicago, Illinois
2005-7
  • Lecturer in BFA and MFA Programs, School of the Art Institute of Chicago
2004-7
  • Visiting Artist and MFA Critic, University of Chicago

SELECTED PRIVATE AND PUBLIC COLLECTIONS

Albertina Museum, Essl Collection of Contemporary Art, Vienna, Austria
Collection of the Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands
Royal Collection of Queen Beatrix of The Netherlands, The Hague, NL
ABN Amro Bank, The Netherlands
Harold Washington College, Chicago, Illinois
Susan and Lewis Manilow, Chicago, Illinois

SPECIAL COLLECTIONS, ARCHIVES, AND LIBRARIES

School of the Art Institute of Chicago, John M. Flaxman Library, Chicago
Museum of Modern Art, (MoMA Library: Artist Books Collection), New York
Whitney Museum of American Art, Special Collections, The Frances Mulhall Achilles Library, New York, NY
Tate Library and Archive, London, UK
Baltic Center for Contemporary Art, Newcastle, UK
University of Edinburgh, Main Library, Edinburgh, Scotland
Jan van Eyck Akademie Library, Maastricht, The Netherlands
Vanabbemuseum Library, Eindhoven, The Netherlands
Sachsische Landesbibliothek – Staats – und Universitatsbibliothek Dresden, Germany
RKD Netherlands Institute for Art History, The Hague, The Netherlands
Universiteit van Amsterdam, Centrale Bibliotheek, The Netherlands
Universiteitsbibliotheek Leiden, Leiden University, The Netherland

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